IAMA Art Museum in San Francisco

 

COLLECTION: CHINESE PAINTINGS

Golden Lotuses

Artist:  Yuhua Shouzhi Wang

There is an ancient saying that the embellishment of one red dot in otherwise all green vegetation provides a noticeable elegant charm emotionally appealing in myriad ways. The meaning of that saying is that red flowers should be used to complement green leaves in order to depict the best setting. However, the approach of Professor Yuhua Shouzhi Wang to draw flowers in gold and create leaves with splashed watery ink exhibits even higher elegance, greater beauty, and lovelier simplicity. The technique of Professor Yuhua Shouzhi Wang to paint lotus flowers in varying degrees of darkness and lightness enables her to represent fully a striking charm in both tone and form.

Every stroke is lively, vigorous, graceful, and without the slightest air of affectation. Applying mature and seasoned artistry, she fully displays on paper her unfettered, natural, unattached state of mind. The brushwork was completed with ease and spontaneity, free of any inhibition. The atmosphere is strong but very elegant and pure. This entire painting provides much comfort to the eyes.

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中國畫

中國畫壇，人才濟濟，臥虎藏龍，給優秀的中華文化描繪出無數壯麗輝煌的畫卷，但歷代的名家大師們，他們的技法、風格和題材大都趨於單一，長於山水畫者，少精於花鳥，又疏於人物，如是等等，而H.H.第三世多杰羌佛的中國畫藝術，論題材，無論是山水、花鳥、走獸、魚蟲、人物……論技法，不管是工筆、寫意、潑墨……無所不通，無所不精，無一不是有真實的傳統功夫而創新的神意，這一點，早為評論家和收藏家們所肯定。